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Diverse filmulețe, interviuri și documentare: http://desvisagesdesfigures.tumblr.com/

Contacts, Vol. 1: The Great Tradition of Photojournalism (1988)
Contacts, Vol. 2: The Renewal of Contemporary Photography (1992)
Contacts, Vol. 3: Conceptual Photography (2001)
http://www.tayloremreyphoto.com o tanara studenta la fotojurnalism – editoare la site-ul asta: http://shitphotojournalistslike.tumblr.com/
http://lens.blogs.nytimes.com/2009/12/31/behind-26/
I take the conventions from the fashion world and apply them to the underclass barnyard animal. – Rob MacInnis
Abe Jun & Cristobal Hara– http://www.sevensevennine.com/?p=1220
Vanessa Winship – castigatoarea premiului Henri Cartier Bresson
http://www.vanessawinship.com/projects.php
Andy Freeberg http://andyfreeberg.com/
Masao Yamamoto http://www.skjstudio.com/yamamoto/index.html
http://www.hackelbury.co.uk/artists/yamamoto/image_library/image_library.html
James D. Clark http://www.nocultureicons.com/james-d-clark/
John Divola http://www.divola.com/
As Far as I Could Get http://www.faculty.ucr.edu/~divola/WEB%20Pages%20Grey/1990%27s/As%20Far%20As%20I%20Can%20Get/As%20Far%20As%20I%20Could%20Get%20Hi%20Res/FrameSet.htm
Jonathan Leder http://www.jonathanleder.com/
Péter Korniss http://www.webdesign.hu/pkorniss/en
Astrid Kruse Jensen http://www.astridkrusejensen.com/
Patrick Nagatani http://www.andrewsmithgallery.com/exhibitions/patricknagatani/index.htm
Eric Rondepierre http://www.ericrondepierre.com/
Stratis Vogiatzis http://www.stratisvogiatzis.com/
Aristeo Jiménez http://www.oscarestrada.info/index.php?/bookdesign/aristeo-jimenez/
Ulrich Wüst http://uinic.de/berlin-mitte/en/index.html
Sasha Rudensky http://www.sasharudensky.com/
Kyungwoo Chun http://www.kyungwoochun.com/
Wim Wenders http://www.wim-wenders.com/art/photography.htm
Anders Petersen http://www.anderspetersen.se/
Michele Consoli – http://www.flickr.com/photos/swem/sets/72157622444186275/
http://500photographers.blogspot.com/
500 photographers is a weblog that posts 5 active photographers a week for 100 weeks. The photographers can be from any discipline within the photographic range, but they have to be worth looking at and have a certain level of quality.
Matt Siber, The Untitled Project, 2002-2010 – http://siberart.com/projects/untitled-project/
Christopher Capozziello – http://www.chriscappy.com/index.php
Tanner Almon, Dead Heads In Red Beds – http://www.tanneralmon.com/#851071/DEAD-HEADS-IN-RED-BEDS
Andrew Bush – http://andrewbush.net/
The culture of cars is an inseparable part of American life. Whether used for functional purposes or recreation, automobiles are expressions of our personality. They also represent the American ideals of freedom, mobility, and independence, providing a unique personal space that is at once private and public.
Andrew Bush (b. 1956) examines this tension between private and public in his remarkable series of photographs of individuals driving cars in and around Los Angeles—a city famous for its car culture. By attaching a camera to the passenger side window, Bush made these pictures while driving alongside his subjects—often traveling at 60 mph. Taking notes on the speed and direction he was going, Bush created extended captions for the images and called the series Vector Portraits.
99 Drives – http://andrewbush.net/99b%20vectors/index.htm
66 Drives – http://andrewbush.net/vectors%202-10-08/index.htm
Skott Chandler, House Watch project – http://www.skottchandler.com/house-watch/
Humans have many levels of connection with their personal spaces. Narratives within these domestic spaces differ depending on the inhabitants and their activities that may be mundane, ambiguous, hilarious, absurd, or unsettling. The space within a house affects the inhabitants, and the inhabitants affect the space–an oddly intriguing phenomenon that proves difficult to visualize. Creating a photographic representation of such an abstract emotional experience was my motivation. The photographs take the perspective of an omniscient voyeur investigating the dynamics of space within a home. Ceiling mounted pinhole cameras cast an unflinching gaze upon the inhabitants and rooms within the walls; not to judge, but to witness.