N-ai reuşit?
De ce nu le scanezi acolo unde le developezi? Sau, poţi scoate câteva cadre pe hârtie foto la lab şi apoi scana/fotografia. 
It was Newsweek’s radical idea to have Helmut Newton, known for his erotic and extremely composed photographs, shoot a portrait of Cartier-Bresson, master of the wholly natural Decisive Moment. Cartier-Bresson loathes having his picture taken, and when he must, he insists the photographer be a member of Magnum, the cooperative he cofounded half a century ago. Newton is not.
Yet they met up in Paris last week for the shoot. “He looked good, very good,? says Newton, 83. ?He did everything I wanted, and was so sweet. I shot two rolls in color because he has very beautiful blue eyes, and four of black-and-white, because, being Cartier-Bresson, it has to be black-and-white.? Though their approaches are so different, Newton has long admired Cartier-Bresson. ?His pictures are about truth,? Newton says. ?Real people, like the picnic by the Marne. I like that one best.? They first encountered each other 25 or 30 years ago, in a Paris cafe. ?I felt he turned his nose up at me,? Newton recalls. A few years later Newton said in a television interview that, although he loved Cartier-Bresson?s work, he believed the feelings were not mutual. Soon after, Newton received a postcard from Cartier-Bresson. It read: ?I like you very much.?
Newton finally saw Cartier-Bresson again last year, when Vanity Fair asked Cartier-Bresson to shoot a portrait of Newton for a portfolio by photographers older than 80. Cartier-Bresson invited Newton and his wife, June (known by her nom de camera, Alice Springs), for lunch at his flat in the rue de Rivoli. Then they walked to a nearby park to take the picture. ?He had his little Leica,? Newton remembers, ?and he simply would point and shoot.? Since Cartier-Bresson?s hand isn?t as steady as it used to be, some of the pictures were a bit fuzzy. ?Sharpness is a bourgeois concept,? he told Newton. Newton sits back and laughs: ?I thought that was just divine.?

Cine are chef de Lomo Joy pe 1 decembrie? Mergem împreună la paradă? 
Vladimir Vysotsky – Wolf Hunt – http://www.youtube.com/watch?v=TZWGRyPQUxs
Léo Caillard – http://www.leocaillard.com/
Katzenjammer – Tea With Cinnamon – http://www.youtube.com/watch?v=fKxfiQCfEVI&feature=relmfu
Trimitem pe hârtie, prin Poşta Română. Pe mail facem schimb de adrese. 
Până în prezent am colecţionat 17 cărţi poştale. Chiar dacă nu sunt toate conform celor scrise mai sus de mine, tot îmi face plăcere să le răsfoiesc (şi să le citesc). Keep zem comin’! 
dronology[@]linuxmail[.]org
Am impresia că am citit o schiţă fantastică.
N-ai ce să le faci.
În Bucureşti încă mai ai unde să developezi filme late: Maican, lab-ul Kodak din Lahovari (filme C41). Poate mai sunt şi altele.
Vintage Camera Style – http://vintagecamerastyle.tumblr.com/ 
Holga 120 PAN Panorama Camera – http://shop.holgadirect.com/products/holga-120-pan-panorama-camera
Lens Type: 90mm Optical
Focus Mode: Adjustable / Zone Focus (Portrait/Small Group/Big Group/Infinity)
Flash: 2 x Standard Hotshoe
Native Film Format: 120 Medium Format
Aperture Settings:
Viewfinder: Eye Level Direct
Tripod Mount: Yes
Bulb (Long) Exposure: Yes
Power: No batteries required
Dimensions: 205x117x107mm
Weight: 250g
Accessories Included: 1 Take Up Spool, and 1 Strap
Shots/Roll: 8 (6 x 12cm)
Recommended Film: ASA100 (Sunny) or ASA400 (Cloudy/Indoors)
Shutter: Leaf, 1/100s
How to Make a Proper Proof Sheet – http://www.halfhill.com/proof.html
Competition: shoot a cover for a new Vintage edition of Oliver Twist
Take a photograph that sums up Oliver Twist in 2012 and you could see it on the cover of a new edition of Dickens’s classic novel
http://www.guardian.co.uk/artanddesign/2011/nov/06/oliver-twist-competition